![]() We were writing ‘Ophelia’ at the time, and we were like … how do you do that? Almost trying to study the DNA of it.” “It was almost like … so fluid, and it had this kind of reset button, you know? Where the song kind of starts over and everything drops out and then it goes back to - I think it’s a 12-string. “We just couldn’t believe how they did that one,” Schultz recalls about the song, in a phone interview from his home in Denver. As established writers and performers, Schultz and Fraites were now “sort of obsessed” with one song in particular: “Two of Us”, the John Lennon and Paul McCartney duet that kicks off The Beatles’ final album Let it Be, released 50 years ago this month and which is the subject of a documentary from director Peter Jackson coming later this year. But by the time they’d progressed to the point of makingĬleopatra, there was now a craftsman-like edge to their appreciation. Back when the Grammy-nominated folk rock band was still playing in bars, their set would include a few gems from the Fab Four’s catalog.
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